What an Impulse Response Is, and What It Isn't
What a guitar cab IR really captures, why it sounds so close, and the parts of a real amp and speaker it can't hold: level, interaction, iron and air.
Tech pages · Guitar Amps
Long-form write-ups of real repair and design work — measured, not guessed. Every article stands on its own; most come with the math and the schematic.
Searches titles, topics and the full text of every article.
15 articles
What a guitar cab IR really captures, why it sounds so close, and the parts of a real amp and speaker it can't hold: level, interaction, iron and air.
Real Fender Blues Deluxe schematic values for the tone stack, presence control and bias trim — and why its mod list differs from the Hot Rod Deluxe's.
Why cathode and fixed bias sound different has little to do with the Class A/AB label most amps wear incorrectly — the real mechanism is self-regulation.
How an output transformer matches high plate impedance to a low speaker load, why a mismatch or open circuit is dangerous, and what 'minimum load' protects.
How to read a tube amp schematic from scratch: the symbols that cover almost every circuit, how to trace a signal path, and where the four supply nodes are.
What actually fails in modern tube amps, from the bench: cold solder joints, botched previous repairs, over-diagnosed tubes, and why the filter-cap datasheet says you probably don't need a recap.
How the passive Bass/Mid/Treble network in a guitar amp works, why Fender, Marshall and Vox sound so different from the same topology — and why Mid inverts.
How amplifier negative feedback and the presence control actually work, with schematic-verified feedback amounts for Fender, Marshall and Bassman-family amps.
Equal-loudness contours explain why bass and treble fade at low volume, why EQ choices don't survive a volume change, and how to set tone controls honestly.
Bias a fixed-bias push-pull tube amp using output-transformer resistance and voltage drop — no shunt measurement, no oscilloscope, true plate current.
Blues Junior mods with real component values: the input grid stopper, the treble-bleed cap, the Twin tone stack swap, and the cap that makes it nasal.
How amplifier power is really measured, why a cranked 100 W amp delivers close to 200 W, and why speaker sensitivity — not watts — decides which amp is louder.
How speaker impedance becomes frequency response through amp output impedance, why reactive loads don't feel like a cab, and the IR double-count trap.
Fix the Hot Rod Deluxe's PCB-cooking dropping resistors, then rework the power amp and preamp for a blackface-style feel and usable drive channels.
How replacing a Marshall's cathode follower with a fourth gain stage makes a fatter, higher-gain amp — with the gain-staging and feedback maths behind it.